Wonder Woman Historia

 In anticipation of the upcoming Amazon series, I read the three volumes of Wonder Woman Historia, written by Kelly Sue DeConnick and drawn by Nicola Scott - a suitably all-woman team for Wonder Woman. The art is one notch below that of an Orthodox church. An Orthodox church is designed to blind you with splendor while you listen to the mass, whereas it is critical that one be able to read a comic. The art carries the story as much as possible, especially in the cosmic sections. This is a reversal of the epic tradition, in which evocative words, whether spoken or written, provide a text for the listener's interior visuals. The majesty and inhumanity of the gods is manifest. Scott strikes a nice balance between the complete anthropomorphism of many depictions of the Olympians and the deliberately inhuman depictions of the New 52 Olympians. 

There are a plethora of characters in Wonder Woman Historia; not just the goddesses, but also their queens among the Amazons and several followers of those queens. Even when dealing with Olympians, who some readers wiil already be familiar with, each story emphasizes particular characteristics of those gods. Both the goddesses and the queens are portrayed as slates in a vertical structure. The six queens are more akin to gods in their mortality and their creation. It is not until the introduction of Hippolyta that we get a truly mortal queen. This echoes the ages of Man in standard Greek theogony. Once all the players are available, DeConnick deftly balances a need in a prequel for Amazons to be both amazingly fierce and ultimately defeated.

There are more than enough characters for an adaptation. Most of them have distinct enough personalities that new dialogue not present in the graphic novel can be easily scripted. The splendor of the page, however, may not wholly transfer to a different medium. It is certainly worth a try.

Child Star

 The graphic novel Child Star by Brian "Box" Brown is a synthesis of traumatic tragedy of the life of a child star, especially from the '80s onwards. The art is in black and white and red only, a simplified palette to reflect the simplified view of a real human being. The focus character is a white version of Gary Coleman (or male version of Punky Brewster) called Owen Eugene. Every trauma experienced by a child star or former child star occurs, much like a media-focused version of The Handmaid's Tale. The story is largely told through posthumous interviews with his parents, his coworkers, and other barely disguised celebrities. It is a sobering work indeed, yet one worth reading.

Flamer

 This is my review of Flamer, a graphic novel by Eagle Scout Mike Curato about being a closeted gay Scout at summer camp in the '90s. What qualifies me to assess this book? I was there as a little nerdy kid. The non-spoiler part of the review - it is an accurate portrayal of one kid's experience. I recommend this book to modern middle schoolers and lowly high school freshmen.

Now for the spoiler review. Our protagonist is Aiden, a pudgy rising freshman at Scout camp whose hormones are awakening. He loves the X-Men, but especially Jean Grey, the sole girl of the original lineup who evolves from the Girl to the cosmically powerful and iconically flaming Phoenix.  Aiden's patrol is the Flaming Arrows. This is, or at least was, a fairly common name for a Scout patrol. The name matches the flame theme and the reference to the slur of the title, but that nobody in Aiden's patrol chose the name - they are, in fact, quite unhappy about it - is a telling detail. Some Troops have ever-changing patrol names; but some long-established Troops have a stock of patrol names which are recycled. The patrol name Flaming Arrows would have lacked the potentially provocative connotation of Aiden's generation's slang and serves as a callback to the heavier influence of Native American customs in the Scouting tradition.

An important detail to note is that Aiden is enjoying Scout camp. Many accounts of summer camp for graphic novels and  YA books present camp as a universally awful experience except for the supportive best friend. Aiden participates in all the expected activities of that era, both the Scouting ones and the ones which are more questionable but unsurprising among boys of that age. Aidan is good at some of them and not at others, and he enjoys the camaraderie.

This positive background, however, is just that, and the conflict of the story cannot lack challenges. Just as if this were set at CYO camp, there would be a heterosexual crush, here, in the all-male environment, there is a homosexual one. Teenage hormones are indeed merciless! Aiden develops a crush on his fellow patrol member, who handles it as poorly as one would expect in that time and place - but he does not take the opportunity to get Aiden expelled from Scouts. None of the Flaming Arrows do - and they ultimately back their fellow patrol member in his verse of Boom-Chick-A-Boom. The same cannot be said of Aiden's mentor and archery instructor, who suffers the fate of so many gay counselors closeted at camp - he is expelled after someone read his letters home.

Here is why I use the phrase "closeted at camp." At the time when this book is set, the Mormon church (their preferred name at the time) and other conservative organizations held an outsized influence on the BSA. There was also more lingering military influence than at present. The military of that time had a policy known as "don't ask, don't tell." This meant that  the authorities would only remove a member from service if they outed themselves, intentionally or accidentally. Thus there were counselors at Scout camp whom many knew were gay but said nothing. Why betray the best connselor you have? I don't know what the policy at the author's camp was, but reading somebody else's mail seems like a violation of privacy.

Flamer is one man's portrayal of this time and place but I would urge any readers to take away two lessons from this graphic novel. The first is that the change in attitude towards gay Scouts has been exponential. The second is that the program, despite its glaring flaws, had positive aspects - the author, after all, remained in the program long enough to become an Eagle Scout!