MLK Hike 2015

On Saturday morning, a horde of red neckerchiefs assembled in the Bear Valley parking lot of Point Reyes National Seashore, ready for the Martin Luther King Jr. weekend backpacking trip. Three days and two nights is not a very long trip, but it's the best one can manage during the school year with a miscellany of 'winter vacations'. Sometimes the diversity of the Troop is also a liability. At this point, everyone was clean and energetic. The two Philmont crews had decided that this trip was mandatory in order to test their gear and skills for the summer; this decision considerably swelled our numbers. The smaller Scouts were there also, with all the enthusiasm and boundless energy of the truly young; inexperience in backpacking would dampen this, but not extinguish it.

When the First Emperor ordered maps to be made of all the great roads of his realm, he commanded that the distance in li (imperial miles) be measured in time spent travelling rather than absolute distance, and that the roads be measured both uphill and downhill. On the first day of this trip, the intrepid Red Horde learned the truth and wisdom in this approach. The distance to Sky Camp was not far, but the journey was entirely onwards and upwards (with apologies to C.S. Lewis). The first stop involved a good deal of pack adjustment, as the contents that were still in the city were moved by the rhythm of the trail. When the group crested and then descended, albeit briefly, into camp, everybody set up camp. The wind of the last time the Troop camped here was absent, greatly aiding the speed of setting up. But the gnats, o the gnats, the gnats swarmed around anything breathing out carbon dioxide.

The first event of the afternoon was a round robin of skills. These included orienteering, outdoor safety, proper packing, and of course knots - it wouldn't be a Scout outing without knots. The stories of outdoor safety seemed to become more gruesome and exciting as the groups rotated. After the learning came the fun: the troop divided into two teams and played a game of Capture the Flag which proved to be more hotly contested than most. In light of this dispute, a rematch was scheduled for Sunday night.

Saturday's campfire was (sadly) a Nalgene (c) campfire, since Saturday had been declared a Spare the Air Day. It is annoying, but probably not accidental, that many Spare the Air Days are the same days a group like this might go camping and want to build a fire. For those who do not know what a Nalgene campfire is, I shall explain. Concern for fire safety sometimes, and more and more frequently often, trumps the traditional focus ("hearth" in Latin) of a roaring fire with Scouts around it singing and entertaining each other. Although the heat of the fire on a cold January night is the most noticeable feature of the traditional fire, the way it provides light is a second important role. The third function is the designation of the stage on which the skits are performed. Without a true fire, the heat is absent, but the other two roles can be supplied by a "fire" consisting of flashlights and Nalgene bottles of different colors. The effect is a cold rainbow that illuminates the performances.

The actual performance at Saturday's campfire was no better and no worse than other recent campfires. The food group skits were undercooked, and one was raw - the players were arguing on stages about the skit so long that they ran out of time! I would say more, but I suspect that my dissatisfaction with the skits, although justified, is somewhat colored by my own unreliable memories of my days as a patrol leader. The food group songs were enthusiastic, but the singers often did not know some of the key lyrics. The Troop songs and yells, however, were enthusiastic, and my traditional song worked almost perfectly. The Troop heard some stories about the San Francisco Giants.

That night, around half past nine, the fog rolled in, making everything unprotected extremely wet. For many, this was not a problem: I, however, was sleeping outside. The important parts of my equipment remained dry, and the exterior of my camping pillow (which was now outside my sleeping bag, as I was resting my head on a sweater) proved its durability and usefulness.



Sunday morning was cool and wet, very unlike the dry weather of the previous trip. Even with the unintentional late start, squarely blamed on the boy leadership, there was no chance of truly drying anything, and a few insects were packed with the boys' gear. Everybody filled their water bottles before we left because there would be no opportunity for resupply between Sky Camp and Wildcat, our final destination. The group left Sky Camp at a brisk pace. The woods were cool and the path was easy, but then the group reached the first fork in the road, and the leadership determined that they had led the group a half-mile the wrong way! There was nothing to do other than turn around and dismiss the mistake (unconvincingly) as a "warm-up". It's better to make such mistakes on a trip such as this and learn from them rather than on a trip where there are higher consequences for errors!

The morning was all downhill through the fog, thick enough to cool but thin enough to see clearly - ideal hiking weather. A steady downhill, even in these conditions, begins to weary the legs, but cool weather may not last, so one must take advantage of it when one can. This fog lasted a surprisingly long time.

As the group was approaching the descent to Arch Rock, the sole of my boots detached. I was forced to changed into my camp shoes. which fortunately were tennis shoes rather than sandals. Nor was I the only one whose boots failed - one of the fathers suffered a similar loss. I do not recommend the trail to Wildcat in tennis shoes, certainly not with a backpack.

When the group reached Arch Rock, the Troop ate lunch amidst the day hikers.  Arch Rock is a knob that sticks out into the Pacific. Its top is bare and sandy, with a few scattered rocks. Its edges gradually curve into the surrounding abyss. It is a scenic spot, but somewhat disconcerting. The remaining water supply was considerably greater than that of last time, since the fog had had provided cool weather almost the entire descent.

After lunch, we ascended the hill that was the first barrier on the journey to Wildcat. The initial climb is clear and then gives way to a forest track with many side-tracks, probably deer trails, descending into the brush. Near the first crest was a viewing station, although few members of the Troop took advantage of it, preferring to get as much rest as they could. Past that point, the trail was easy but deceptively long - several cool, covered stretches were nearly identical and planted false hope in the weary soul. The descent into Wildcat appeared at last, and the group lost all the altitude that it had gained since leaving Arch Rock.

We pitched our tents and set up our food areas as soon as we reached Wildcat. This time we did not discover a field mouse nest in one of the food boxes. Wildcat was more crowded than last time, so playing Capture the Flag in the campsite was not feasible. The boys headed to the beach, where they played the second round of the MLK Capture the Flag series and soaked their feet, swollen from the long day's march, in the Pacific Ocean. One food group had split the duties of grubmaster and had a failure of communication; this group was coping admirably with a skimpier meal, but the other groups had enough food to share, whether that was the result of Scout spirit or a practical desire to dispense of food before the next day's hike.

The campfire was once again a Nalgene campfire. The skits were more creative than Saturday night, but I could hardly believe my eyes when one group performed the very same skit as a different group had performed the night before. The song were once again enthusiastic, and the fathers who had come on the trip performed a medley as their contribution to the campfire. There were, of course, more Giants stories.

After the campfire, there was a conference of the leadership, both boys and adults, for debriefing, discussing any disciplinary issues, and planning the next day's route. The Senior Patrol Leader had not been the previous MLK hike on which we traversed this route, so there was much discussion on which route back to the Bear Valley parking lot would quickest, most efficient, and involve the least backtracking.

This night, many Scouts, especially younger ones, decided to sleep under the stars. The weather was drier and windier in Wildcat than Sky Camp, but I was a bit concerned that the little Scouts would not be warm enough. Fortunately, that concern proved unwarranted - some had friends' tents to which they could retreat, while others had the latest, warmest sleeping bags and the ability of all small things to burrow.


On Monday morning, the Troop rose early, although not as early as last time, when the Troop had risen before dawn and ascended the first hill home in the half-light. Further delay, but a necessary delay, came from breakfast. Scout's Own, the non-denominational service which normally takes place on Sunday morning, took place on Monday - given the nature of the long weekend, Monday was an appropriate time for serious contemplation. Scout's Own took place on a knob overlooking the Pacific. The waves crashing behind the emcee and the speakers were so loud it was sometimes difficult to hear.

Once the other adult whose shoes had dissolved had an adequate (though not ideal0 pair of shoes and a large portion of the pack of the struggling little Scout had been redistributed, the Troop headed up the trail. The ascent looked less intimidating in full light. The first crest, indicated by the presence of a water tank was encouraging, but it proved that my memories of this trail from two years ago were rosier than warranted on the matter of the amount of uphill and fire road. It was cool while we traveled. As usual on the last day of a trip, part of the route was trudging steadily onward in anticipation of civilization and a visit to In 'N' Out. The Troop made good time and reached the Bear Valley parking lot an hour later than the last trip.

It's always hard to end these accounts, since a good trip often lacks a dramatic ending - if real-life adventures ended the way stories and movies do,  life would be exhausting and terrifying. The MLK 2015 hike had its ups and downs (both literally and figuratively). It will be remembered well by those who were there, and the unpleasantries will fade away soon, leaving only the recollection of an exciting weekend hike.

Foundation's Finals

The expansion of series beyond their freshness date is a common practice. One can thank the Galactic Spirit that Asimov did not have a child who co-authored with him in his dotage and then continued to dilute his (or her) literary heritage. The final duology of the Asimov-penned Foundation series, Prelude to Foundation and Forward the Foundation, connect the Robot and the Foundation series far more ably than Foundation's Edge and Foundation and Earth. Although Golden Age series are not as dependent on a Future History as contemporary science fiction, it makes perfect sense that Asimov's last books would connect the characters who represent his most enduring concepts, psychohistory and the Three Laws of Robotics. The connection is far less awkward than the Future History multiverse of Heinlein where everybody sleeps with Lazarus Long! Asimov still has not learned how to write women well (although he certainly appreciates their attributes more publicly than in his classic works), and it's not entirely surprising that that the female companion of the legendary psychohistorian is a robot rather than a woman.

The nature of prequels is a loss of surprise and historical inevitability, but the very conceit of the Foundation series makes this an asset rather than a liability. It may be a bit depressing, however, when the audience knows how many people are going to fail. The tendency of fictional characters to adopt rather than breed is puzzling - in a tight timeline, such as a comic, it is an understandable shortcut, but in a fictional biography of a man who lives a full lifetime, it is puzzling. One almost imagines that there is some sort of aversion to biological granddaughters in fiction!

The revisions in the geography of Trantor are a necessary evil, although the time when Trantor was domed over appears to have been moved forward considerably from the Empire novels. Eras in the Asimovian amalgamated universe seem to be more important in terms of sequential events than absolute dates. The trio of Seldon, Daneel, and Dors Venabili suggests that Asimov would have liked to revive Susan Calvin for his final novels but could not justify a second time-travel incident like that of Joseph Schwartz, especially after the swerve from temporal to spatial research in 1932.

One of the advantage of a novel written by the creator of a series is the restraint in adding discordant elements. The robot-idolizing inhabitants of the Mycogenian Sector and the previously unmentioned rise to high office of Hari Seldon are additions rather than intrusions. Although aliens appear in other works by Asimov, the focus of the Robot-Empire-Foundation series does not allow their participation in the principal narrative; thus the spare focus of a Golden Age 'verse is preserved.

Selma and Suspension of Disbelief

Suspension of disbelief is an essential component of the cinematic experience, aided and abetted by that human faculty that gives rise to stories, lies, and Plan Bs when the world seems set against you. The darkness of the cinema, only recently swept clear of the glare of cell phones, is a sensory deprivation which the audience has chosen in order to clear the palate for other sensory experiences. This voluntary immersion is especially important for films that take place in other times, whether in the past or future. Selma is about the past, although its release date suggests it is the past representing and commenting on the future - the Chinese government once banned films set in the past for this reason. This representation, however, may not be exact, and above all should not be explicit. The power of such messages are that they infiltrate the mind, allow the audience to ruminate, to understand where the parallels are not exact and thereby encourage a creative response to the social crisis so addressed.

The inability of the creators of Selma to get the rights to use the actual words of Martin Luther King, Jr., is not necessarily a liability. Every school child has heard "I have a dream" so many times that there is a substantial risk that the audience will gloss over it. The torturous rewrites that this legal barrier triggered may have cause audiences to pay more attention to the message. These rewrites, however, are very much in character for the era and therefore do not disrupt the audience's immersion in the narrative.

This immersion lasts throughout the film, only to be broken at the last second by an intrusive song referencing the incidents in Ferguson. Even if King's Selma march were the right comparison to Ferguson, the insertion of this song indicates an astonishing lack of subtlety in an otherwise well-constructed film, the cinematic equivalent of crying out another woman's name in the moment of passion or the study guide that turns a work of literature into a school assignment. The only possible conclusions to be drawn from this are either that somebody involved in the film did not trust his audience to understand the parallels (in which case he should have made a better, more focused, film) or that the parallels between movie and reality are not as strong as the auteurs would wish, and that the addition of the final song is a desperate attempt at "relevance".

Review: In Real Life

Just finished In Real Life, the graphic novel by Corey Doctorow and Jen Wang, selected for Mission Comics and Art's book club meeting which (sadly) will be lacking yours truly. The visual equivalent of a short story, IRL tells the story of Anda, a teenage female gamer who develops a social conscience through her experiences in-game. IRL has a rather simple plot, structured around bullying and gold farming, the practice of hiring cheap labor to mine in-game objects for real cash value, (which of course is not reflected in the pay of the labor force), The exploration of how a perceived injustice on one level (i.e., in-game), may reflect an injustice on another (i.e., in reality) is well-constructed. The characterization is a bit shallow, but sufficient for the short format and appropriate to the personalities of many teenagers. The art has fluid, rounded lines; the portrayal of the female form in the real world sequences is neither idealizing nor grotesque - there are more straight lines and generic shapes in the online world.