Voyage of the Dawn Treader

I recently watched Voyage of the Dawn Treader, the third and (sadly) last installment of the Chronicles of Narnia movie line. The solid beginning arose great hopes in me, since the visual signature was definately Narnian, not Lord of the Rings nor Harry Potter. I can forgive the rejiggering of plot necessary to sustain a movie, since the literary form is more tolerant of episodic narrative than its cinematic cousin. The plot device was weak, albeit an obvious one (what aristocrat doesn't have a sword?) The mysterious fog seemed a bit more contrived. The addition of a second female passenger seemed gratuitous. The longer dragon-stage of Eustace, however, was used to good effect, especially since the conversation between Aslan and Eustace in the book is profound, but would not translate well to film. That brings me to my final point: the Christian elements were minimal and well-hidden by conflicting desires to capture both the Christian and the secular market. The salvific (and generally non-Evangelical, non-Apocalyptic) Christian element, though objectionable to many, is the thematic signature of the Chronicles of Narnia, as integral to its setting as Quenya and Sindarin are to Lord of the Ring.