I have been rereading The Rest of the Robots (a combination of I, Robot and Robot Visions), the authoritative volume of Asimov's robot stories with which I fell in love as a young nerd - I did choose I, Robot for my own book club, after all. I ignore the robot-themed boos not written by Asimov rather than angrily reject them, as so many fans do and thus set back the reputations of science fiction fans everywhere. I also recently read Science Fiction: What It's All About by Sam J. Lundwall, which I bought in early December from a peddlar in the Mission. While it was interesting to read about works which I consider classics described as new and exciting works, its primary contribution to this post is its characterization of golden age science fiction and golden age science fiction fans. I have read many criticisms of Asimov, some undeserved, including his inability to write women. I do not dispute the truth of this assertion, but he did write around his deficiencies. I could not avoid thinking about this while reading The Rest of Robots, in which Susan Calvin features prominently. When I was a boy, I read the stories as straightforward problem narratives, but this rereading revealed a different angle. Asimov's Calvin is not so much a portrayal of a woman as the portrayal of a computer geek (something of which Asimov could have had no knowledge). Calvin resembled no female nerd I've ever met, but her obsession with technology and her disdain for lesser human beings (in her case, the entire human race) matches the profile the more obnoxious hyperintelligent male nerds I have met. Calvin is the Other, not the Lady.
Since I composed the preceding paragraph, I have learned about a new authorized trilogy featuring Susan Calvin. Ordinarily, I refuse to read books not written by the original demiurge - I made an exception for the later Dune books because Brian Herbert had been his father's co-conspirator in designing the Dune universe. The post-mortem Foundation books interested me not at all, and the off-planet Robot books were not interesting because I already ranked books such as Robots of Dawn and Robots and Empire low on my Asimov list. I like the simplicity of the robot stories. This new trilogy (of which only the first, I, Robot: To Protect, is out) is tempting, since Calvin is the only remotely fleshed-out character in the Asimovian canon. The other reason, which may well be dashed is this: I want to see how Calvin becomes who she is in the classic canon, just as I had high hopes for Episodes I-III.
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