Catullus, in the eighth poem of his collection, has encapsulated the complicated feelings of a messy breakup. The poem opens with a wonderful expression (8.2), which may or may not be a proverb:
quod vides perisse perditum ducas
"what you know has died you should consider lost"
This is excellent advice, but cold comfort to one who had lost something precious.
Such sentiments, rather than sufficing - it is only the second line, after all -, spurs Catullus to dwell on what is lost. The perfect tense of "fulsere" establishes the connection of the past and present, while the following imperfects provide a sense of both pastness and frequency; it is notable that Catullus is the passive partner in these activities.
In line 8.9, Lesbia has rejected Catullus; Catullus retains his feeling of impotence, and even his attempts to get her back (8.10-13) are impotent and his self-pity pathetic. He must announce his renunciation of her to make it stick. The embarrassing antics of jilted lovers trying to revive the sparks ("soles") of a dead relationship is mixed with wavering self-confidence.
In lines 8.14-18, Catullus turns from strengthening his own resolve to degrading that of his former lover. Although the descent into rhetorical abuse is a stylistic demand of this poetic genre, it is also a realistic psychological depiction, the dark side of the irritating presumption of a unique relationship that lovers often display. It is testimony to the passion of the relationship that Catullus ends the poem not with a final sting to Lesbia, but one last reminder to himself (8.19).
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