Review: The Hunger Games

Note (2/24/22): This has been edited to remove an offensive term. Saying what it was would negate the effect of the edit, and seeking to know what it was would prove the seeker more interested in finding offense than reading the remaining content.

Circumstances, related to the rainy conditions of Saturday's Scout hike resulted my double viewing of the film version of The Hunger Games. I do not regret watching it twice, since the Venn diagram of friends and acquaintances with whom I saw it did not overlap. The Hunger Games is a well-made film, and I would watch it again, although I probably would not buy the DVD. The transition from novel to film always entails simplification and externalization of details which books can present in an introspective manner. Although the Treaty of the Treason, in which the Capital set forth the terms of the Hunger Games, appears prominently in the film (an instance of cinematographic externalization), there is no mention of the "reward" that the winner of the Hunger Games earned for his or her District. In the book, the winning District receives extra rations to stave off malnutrition and starvation. Its omission makes the Capital's abuse of the districts more offensive, but also eliminates an obvious motivation for the Districts' complicity in this appalling ritual. The book uses third-person limited narration, and thus ignores the omnipresent cameras necessary for the viewing pleasure of the citizens of the Capital; the film never lets you forget about the cameras, in an attempt to condemn the audience in the theater as well as the Capital. It is a valiant attempt, but the freakish appearance of the Capital citizens, who look like the world's most fashion-challenged parade, compared to the normal (if rustic) dress of the residents of the Districts, creates to much visual dissonance to succeed. The depiction of the reaction of District 11 to a key moment in the movie seems heavy-handed; Rue, the female tribute from District 11, is described merely as dark-skinned in The Hunger Games, but her District is shown as the "black" district with one token white guy. Then the Peacekeepers (who are as ominous as the name suggests) bring out the water cannons. The racism in the world of the Hunger Games is an oblivious racism against all Districts, rather than one predicated on contemporary American racial fears.